Interior Architecture - Year 2

Tutors

Era Savvides

e.savvides@westminster.ac.uk

Era is founding director of creative collective Urban Radicals. Her design philosophy centres around a materially driven, crafted approach to digital design and the creative use of robotic fabrication within the built environment.

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Alessandro Ayuso

a.ayuso@westminster.ac.uk

Alessandro is a Senior Lecturer whose studio-based practice and research focus on the intersection of representation, architecture and the body.

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Sophie Ungerer

s.ungerer@westminster.ac.uk

Sophie is an architect with a particular interest in the threshold between the interior and the city. She is currently part of an interdisciplinary project, which explores ideas of predictions, death and memory through Blake’s poetry.

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Jamie Whelan

j.whelan@westminster.ac.uk

Jamie is committed to the creation of architecture that is embedded in the tradition of craft and making. His studio focuses on the fundamentals - light, space, material, to help our ambitious clients realise creative solutions for their projects.

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Guest Critics

Corrie-Anne Rounding
Owain Caruana-Davies
Paresh Parmar
Ross O’Connell
Sindi Dojaka
Sophie Yetton

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Thanks

Alexandra Woods (AHMM), Alicia Pivaro (UCL), Tom Wright (Turner Works), Fabrication Lab: David Scott, Giada Gonzalez and Kasia Maskowicz Peer-Assisted Learning Assistants: Kirsten Davis, Hannah Hobhouse and Vilde Sand Invited Guests: Asena Koksal, Megan Woods, Sindi Dojaka, Victoria Pearce

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This year, our year 2 students looked for the materially sensuous and the impeccably crafted. Our studio focused on poetic, transformational spaces, and interiors that have the potential to become catalysts for change. The year unfolded into 2 interrelated semesters, aiming to engage students with material experimentation and craft as drivers for sustainable design thinking. This allowed students to explore how small-scale processes can influence large-scale spaces and help develop a deeper understanding of environmentally conscious material and crafted modes of operating within interior architecture. In the first semester, we celebrated our return to campus and the city, by dispersing across London in exploration of material and immaterial aspects of urban “softness”. Through a series of rigorous and playful design processes, the students tested themselves as architectural flâneurs, gathering information from the urban realm and applying this to the design of spatial proposals, responding to the needs of marginalised communities in Peckham Rye. The second semester was an opportunity to focus on constructing spatial experiences and designing atmospheres for concept stores in the retail sector. Through a series of process-driven material experimentation workshops, students were given the opportunity to develop a personal understanding of a set of seemingly incompatible materials, and use this to construct innovative material applications, finishes and assemblages that would

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